Far from Home

I’ve never been female. But I have been black my whole life. I can perhaps offer some insight from that perspective. There are many similar social issues related to access to equal opportunity that we find in the black community, as well as the community of women in a white male dominate society…

When I look at — throughout my life — I’ve known that I wanted to do astrophysics since I was 9 years old…I got to see how the world around me reacted to my expressions of these ambitions. All I can say is, the fact that I wanted to be a scientist, an astrophysicist was hands down the path of most resistance through the forces of society.

Anytime I expressed this interest, teachers would say, ‘Oh, don’t you wanna be an athlete?’ I want to become someone that was outside of the paradigm of expectations of the people in power. Fortunately, my depth of interest of the universe was so deep and so fuel enriched that everyone of these curve balls that I was thrown, and fences built in front of me, and hills that I had to climb, I just reach for more fuel, and I just kept going.

Now, here I am, one of the most visible scientists in the land, and I wanna look behind me and say, ‘Where are the others who might have been this,’ and they’re not there! …I happened to survive and others did not simply because of forces of society that prevented it at every turn. At every turn.

…My life experience tells me that when you don’t find blacks, when you don’t find women in the sciences, I know that these forces are real, and I had to survive them in order to get where I am today.

So before we start talking about genetic differences, you gotta come up with a system where there’s equal opportunity, then we can have that conversation.

Neil DeGrasse Tyson in response to a question posed by Lawrence Summers, former Treasury Security and Harvard University President

"What’s up with chicks and science?"

Are there genetic differences between men and women, explain why more men are in science.

(via magnius159)

…and I want to beg you, as much as I can, to be patient toward all that is unsolved in your heart and to try to love the questions themselves like locked rooms and like books that are written in a very foreign tongue…Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.
—Rainer Maria Rilke, "Letters on Love" (via wreckandsalvage)
oh my god -this is the best.

travelerfound:

Fairy Princess Darth Vader
oh my god -this is the best.

travelerfound:

Fairy Princess Darth Vader

labellefilleart:

Woman Leaving the Psychoanalyst, Remedios Varo

labellefilleart:

Woman Leaving the Psychoanalyst, Remedios Varo

frosidon:

chalkandwater:

Sir David Attenborough demonstrates the accuracy of the Mozambique Spitting Cobra’s venom streams by wearing a chemically treated visor that makes the venom turn purple on contact.

From Life in Cold Blood

DAVID ATTENBOROUGH IS MORE HARDCORE THAN ANY DOCUMENTARIAN CAN POSSIBLY IMAGINE. 

DID CARL SAGAN DO ANYTHING LIKE THIS SHIT? I THOUGHT NOT. BILL NYE? FUCK NO.

BEAR GRILLES IS A PIECE OF SHIT COMPARED TO THIS CARAMEL-VOICED ENGLISH BASTARD. 

SIR ATTENBOROUGH IS A BILLION YEARS OLD AND HE WILL NOT STOP. HE IS THE TERMINATOR OF NATURE DOCUMENTARIES. HE’S CLIMBED TO THE TOP OF THE HIGHEST JUNGLE TREE TO LOOK AT LILIES. HE’S SOARED IN THE SKY IN A GLIDER WITH VULTURES. HE CROSSED THE PACIFIC TO SEE WHALES. HE’S EVEN BEEN TO THE BOTTOM OF THE GODDAMN OCEAN TO TALK ABOUT THE SPOOKY-ASS SHIT THAT LIVES DOWN THERE.  KILIMANJARO?  BEEN THERE. NORTH POLE? BEEN THERE. SAHARA DESERT? BEEN THERE MULTIPLE TIMES. FUCKING VOLCANOES?  BEEN AND DONE.  FUCKING AUSTRALIA? ENTIRE SHOWS THERE. HE WILL NOT STOP. HE WILL NEVER STOP.  NOT UNTIL HIS SMOOTH-ASS FATHERLY VOICE AS TAUGHT US ALL ABOUT ALL THE NATURE FOREVER.

whendoiturnbackintoapumpkin:

This guy’s walking down a street, when he falls in a hole.

The West Wing 2x10 ‘Noël’

artemisdreaming:

artemisdreaming:
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A Teller of Tales
From:  The Celtic Twilight, by William Butler Yeats
.
MANY of the tales in this book were told me by one Paddy Flynn, a little bright-eyed old man, who lived in a leaky and one-roomed cabin in the village of Ballisodare, which is, he was wont to say, ‘the most gentle’—whereby he meant faery—‘place in the whole of County Sligo.’ Others hold it, however, but second to Drumcliff and Drumahair. The first time I saw him he was cooking mushrooms for himself; the next time he was asleep under a hedge, smiling in his sleep. He was indeed always cheerful, though I thought I could see in his eyes (swift as the eyes of a rabbit, when they peered out of their wrinkled holes) a melancholy which was well-nigh a portion of their joy; the visionary melancholy of purely instinctive natures and of all animals.
And yet there was much in his life to depress him, for in the triple solitude of age, eccentricity, and deafness, he went about much pestered by children. It was for this very reason perhaps that he ever recommended mirth and hopefulness. He was fond, for instance, of telling how Collumcille cheered up his mother. ‘How are you to-day, mother?’ said the saint. ‘Worse,’ replied the mother. ‘May you be worse to-morrow,’ said the saint. The next day Collumcille came again, and exactly the same conversation took place, but the third day the mother said, ‘Better, thank God.’ And the saint replied, ‘May you be better to-morrow.’ He was fond too of telling how the Judge smiles at the last day alike when he rewards the good and condemns the lost to unceasing flames. He had many strange sights to keep him cheerful or to make him sad. I asked him had he ever seen the faeries, and got the reply, ‘Am I not annoyed with them?’ I asked too if he had ever seen the banshee. ‘I have seen it,’ he said, ‘down there by the water, batting the river with its hands.’
I have copied this account of Paddy Flynn, with a few verbal alterations, from a note-book which I almost filled with his tales and sayings, shortly after seeing him. I look now at the note-book regretfully, for the blank pages at the end will never be filled up. Paddy Flynn is dead; a friend of mine gave him a large bottle of whiskey, and though a sober man at most times, the sight of so much liquor filled him with a great enthusiasm, and he lived upon it for some days and then died. His body, worn out with old age and hard times, could not bear the drink as in his young days. He was a great teller of tales, and unlike our common romancers, knew how to empty heaven, hell, and purgatory, faeryland and earth, to people his stories. He did not live in a shrunken world, but knew of no less ample circumstance than did Homer himself. Perhaps the Gaelic people shall by his like bring back again the ancient simplicity and amplitude of imagination. What is literature but the expression of moods by the vehicle of symbol and incident? And are there not moods which need heaven, hell, purgatory, and faeryland for their expression, no less than this dilapidated earth? Nay, are there not moods which shall find no expression unless there be men who dare to mix heaven, hell, purgatory, and faeryland together, or even to set the heads of beasts to the bodies of men, or to thrust the souls of men into the heart of rocks? Let us go forth, the tellers of tales, and seize whatever prey the heart long for, and have no fear. Everything exists, everything is true, and the earth is only a little dust under our feet. 
.
Artemis:  Yeats.  :)  Reblog

artemisdreaming:

artemisdreaming:

.

A Teller of Tales

From:  The Celtic Twilight, by William Butler Yeats

.

MANY of the tales in this book were told me by one Paddy Flynn, a little bright-eyed old man, who lived in a leaky and one-roomed cabin in the village of Ballisodare, which is, he was wont to say, ‘the most gentle’—whereby he meant faery—‘place in the whole of County Sligo.’ Others hold it, however, but second to Drumcliff and Drumahair. The first time I saw him he was cooking mushrooms for himself; the next time he was asleep under a hedge, smiling in his sleep. He was indeed always cheerful, though I thought I could see in his eyes (swift as the eyes of a rabbit, when they peered out of their wrinkled holes) a melancholy which was well-nigh a portion of their joy; the visionary melancholy of purely instinctive natures and of all animals.

And yet there was much in his life to depress him, for in the triple solitude of age, eccentricity, and deafness, he went about much pestered by children. It was for this very reason perhaps that he ever recommended mirth and hopefulness. He was fond, for instance, of telling how Collumcille cheered up his mother. ‘How are you to-day, mother?’ said the saint. ‘Worse,’ replied the mother. ‘May you be worse to-morrow,’ said the saint. The next day Collumcille came again, and exactly the same conversation took place, but the third day the mother said, ‘Better, thank God.’ And the saint replied, ‘May you be better to-morrow.’ He was fond too of telling how the Judge smiles at the last day alike when he rewards the good and condemns the lost to unceasing flames. He had many strange sights to keep him cheerful or to make him sad. I asked him had he ever seen the faeries, and got the reply, ‘Am I not annoyed with them?’ I asked too if he had ever seen the banshee. ‘I have seen it,’ he said, ‘down there by the water, batting the river with its hands.’

I have copied this account of Paddy Flynn, with a few verbal alterations, from a note-book which I almost filled with his tales and sayings, shortly after seeing him. I look now at the note-book regretfully, for the blank pages at the end will never be filled up. Paddy Flynn is dead; a friend of mine gave him a large bottle of whiskey, and though a sober man at most times, the sight of so much liquor filled him with a great enthusiasm, and he lived upon it for some days and then died. His body, worn out with old age and hard times, could not bear the drink as in his young days. He was a great teller of tales, and unlike our common romancers, knew how to empty heaven, hell, and purgatory, faeryland and earth, to people his stories. He did not live in a shrunken world, but knew of no less ample circumstance than did Homer himself. Perhaps the Gaelic people shall by his like bring back again the ancient simplicity and amplitude of imagination. What is literature but the expression of moods by the vehicle of symbol and incident? And are there not moods which need heaven, hell, purgatory, and faeryland for their expression, no less than this dilapidated earth? Nay, are there not moods which shall find no expression unless there be men who dare to mix heaven, hell, purgatory, and faeryland together, or even to set the heads of beasts to the bodies of men, or to thrust the souls of men into the heart of rocks? Let us go forth, the tellers of tales, and seize whatever prey the heart long for, and have no fear. Everything exists, everything is true, and the earth is only a little dust under our feet. 

.

Artemis:  Yeats.  :)  Reblog

scienceyoucanlove:

Rachel Carson (1907-1962)Marine Biologist
Although she is known to be an innovative and creative marine biologist, she is primarily known to be a writer. After completion of her graduate studies at Johns Hopkins, she joined the U.S. Bureau of Fisheries writing about fishing and the sea for radio programs.
Life in the oceans was the subject of most of her writings with her most popular book being The Sea Around Us but her fifth and final work was what she is most noted and which had a monumental historic impact titled Silent Spring. This book was published in 1962 as a warning about the danger of pesticides, especially DDT, to the environment. Because of her work exposing the dangers of these chemicals, lethal pesticides have since been banned in the United States.
source

scienceyoucanlove:

Rachel Carson (1907-1962)
Marine Biologist

Although she is known to be an innovative and creative marine biologist, she is primarily known to be a writer. After completion of her graduate studies at Johns Hopkins, she joined the U.S. Bureau of Fisheries writing about fishing and the sea for radio programs.

Life in the oceans was the subject of most of her writings with her most popular book being The Sea Around Us but her fifth and final work was what she is most noted and which had a monumental historic impact titled Silent Spring. This book was published in 1962 as a warning about the danger of pesticides, especially DDT, to the environment. Because of her work exposing the dangers of these chemicals, lethal pesticides have since been banned in the United States.

source